Review: The Shambling Guide to New York City by Mur Lafferty

A travel writer takes a job with a shady publishing company in New York, only to find that she must write a guide to the city - for the undead!

I've been a fan of Mur Lafferty's podcast, I Should Be Writing, for a while now, I've listened to her Marco and the Red Granny and Playing For Keeps (both available on Podiobooks), and was very excited when she sold her first book to a publisher. Mur loves her fans, so one of the things she did was podcast her book for free. We're on an extremely tight budget right now, so although I wanted to buy the book I had to listen to the podcast and console myself that I would buy the sequel.
The best thing about The Shambling Guide is that it's fun and fast-paced, and the main characters are colorful and engaging. I particularly liked Morgen the water sprite and the baker at the cafe, they stole the show at least half the time for me. There was snappy dialogue, descriptions that set the scene just enough without taking away the readers' ability to fill in some details on their own, and enough humor to make me chuckle on a number of occasions. I had a blast listening to it. Of course having the author read the book is an extra bonus because they put the emphasis where they want it to be, and the whole experience feels more intimate than when there's a professional voice actor in the picture.
Lafferty's world-building skills deserve a special mention. There are zombies, vampires, golums, all of which roughly follow the traditional lore of being dangerous creatures, but the author has made them her own and humanized them along the way. Of course this happens when you are looking at them from inside their world and witness their weaknesses and their struggles to make it in a world where nobody's supposed to know about them.
There's a lot to recommend this book, yet there was enough that didn't work for me to spoil the experience. Some characters came to life and some were pretty flat. Take Arthur the love interest, he was just a generic hot guy with a bunch of preconceived notions. The protagonist, Zoë, is too comfortable too soon in her new job and with her co-workers. Yeah, the pay is good and she needed the job, but she is almost blasé when it comes to the world of monsters where she suddenly finds herself. Would you be totally cool if you found out that your boss is a vampire (not vegetarian either) and that every one of your coworkers can kill you without exerting themselves too much? I know I wouldn't.
There was a sex scene, which, although well-executed, didn't have to be there and didn't really do anything to move the story forward or develop any of the characters. (For fairness' sake I do have to admit that this is my usual complaint about sex scenes, and unless the book is a romance I'd rather authors kept them out of the story. After all, what exactly has to happen between the sheets to serve the story or character development? Off the top of my head, not too many options there.) The mystery at the center of the story was interesting and I was surprised to find out who the villain was, but there was so much going on during the final battle that frankly I lost track of it all and just waited for it to be over. If it was a paper book I would've skimmed the pages and gotten to the end. All in all I thought her shorter works were tighter and therefore more effective, the novel format allowed for too much room for digression.
The Shambling Guide is a fun read and if you've had a stressful stretch it's just the thing to get your mind off the problems. Get the audio book to give you a charge for the work day or to help you unwind during your commute in the evening. It's not great, but for all its faults it is good enough to make me want to pick up the sequel, Ghost Train to New Orleans, and to hope that there will be a third book. After all, I believe writers get better with every new novel. Unless their work becomes formulaic, but that's a topic for another time.

Review: The Raven Boys by Maggie Stiefvater

“There are only two reasons a non-seer would see a spirit on St. Mark’s Eve,” Neeve said. “Either you’re his true love . . . or you killed him.”
For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she’s not so sure anymore.

I'm always excited when a new book by Maggie Stiefvater comes out, and The Raven Boys was no exception. I held off on reading it though because I knew it's the first book in a trilogy, and I really prefer to read trilogies in one go. My plans to wait for all three books to be available to hold the Raven Boys Readathon were foiled however when Maggie posted on her blog that SYNC was giving away the audiobook as part of their summer program. I got the book and couldn't resist any longer.
As I listened to it I congratulated myself again and again on getting it and Maggie on writing it. She continues to grow as a writer and watching her progress makes me happy, not just because she keeps giving me great books to read, but also because every book is a little bit more than the last one. More mature, more masterful, more complex, more quirky, more "Maggie" somehow.
My favorite thing about The Raven Boys is how multi-faceted it is. There are family relationships, friendships, socio-economical differences, abuse and love, and of course magic to make everything real-life seem surreal yet even more heartbreaking, because that's what fairy tales do. I kept remembering the old adage "Don't judge a book by its cover" throughout the novel and marveled at how nothing really is at it seems in it.
Maggie's books are different from a lot of other YA novels in that her characters' families are always very present in them. There's not the absentee parent syndrome that makes it seem as though the teenagers have somehow woken up one day and all the parents were gone (and yes, I know there are books built around that premise too), and in The Raven Boys that's even more noticeable than in her previous novels. Blue's colorful family is particularly central to the story, and it's interesting to see their dynamics, the struggles over Blue's independence being a new territory for both her and her mother. The boys all have their own family issues to contend with, some more serious than others, but all with painful past, present and, I assume, future. I loved seeing their interactions and hearing characters talk and learn about things that are subtle, yet not less true or important just because they don't stare you in the face.
The only thing I wished for is more mystery when it came to the main plot of this novel. From the very beginning it was obvious that the boys' and Blue's lives would be interwoven and in what context, the villain was apparent almost from the very beginning and he didn't seem evil or clever enough to last past the end of this book, and a few other things that I won't describe here, with two exceptions, were not particularly surprising. This dampened my enjoyment of the novel but not enough to make a real difference because for me this book was more about the characters and the setting than Gansey's quest for Glendower. I could also tell that it was setting up the sequels by establishing all the relationships, building the world, giving us clues of secrets and ideas for what will be coming next in The Dream Thieves. How could it not with that kind of last line!
If you are a fan of urban fantasy, magic, engaging characters and excellent writing, and you haven't read The Raven Boys yet, I recommend that you do. I listened to the audiobook and I'm planning on getting the actual book to read, because I want to see the words on the page and soak them in in a way an audiobook won't allow, no matter how good the narrator.

Review: A Princess of Mars by Edgar Rice Burroughs

When a Civil War veteran John Carter finds himself on Mars, or as the locals call it Barsoom, he discovers that the dying planet and its harsh deserts are home to warring species, adventure at every turn, and Dejah Thoris, a princess who will steal his heart at first sight. But can they overcome the dangers and be together?

Back when I was first looking at Burrough's bibliography and feeling terribly intimidated by the sheer quantity of titles I couldn't make up my mind as to which book of his I should read to see if I liked his work. Fortunately my Coursera professor made the choice for me when he put A Princess of Mars on the Fantasy & Science Fiction syllabus. Thanks, Professor Rabkin!
I can see why Burroughs became so popular back in the day - the first novel he published had adventure, fantastical creatures, a valiant hero and a beautiful heroine, admirable values and a happy ending. It is also an easy and fast read, which makes for a perfect escapist novel. To top it all off Burroughs ended the book in such a way that made me want to find out what happened next, especially since there is obviously a mystery of John Carter's very existence, which reminds me of Wolverine, an immortal superhero with a severe case of amnesia. If his success is any indication his consecutive novels followed this winning formula and most likely improved upon it to keep the readers from getting bored.
I was definitely not bored with this book, what with the plot moving along nicely, Carter constantly getting himself into new trouble and his lady love keeping him on his toes. Even the generally one-dimensional characters didn't spoil the fun, it was much too interesting to observe Burroughs imbue his Martian characters with very earthly traits. And it was definitely interesting to see how our society has changed since Burroughs' time, particularly when it comes to the role of women. I'm sure that if this book was written now Dejah Thoris would not have been sitting there in all her voluptuous glory, waiting to be rescued, she would have been plotting her own escape. It was also interesting to see Burroughs' social commentary on capitalism and socialism with Dejah Thoris' passionate monologue condemning the Green Martians' "everything belongs to everybody" system, making his position that much more obvious.
While I won't rush out to the Project Gutenberg website to get my hands on more Barsoom novels in the near future I will definitely pick up the sequel should I want a few escapist hours in the company of familiar characters.

Review: Retribution Falls by Chris Wooding

Sky piracy is a bit out of Darian Frey’s league. Fate has not been kind to the captain of the airship Ketty Jay—or his motley crew. They are all running from something. So when an opportunity arises to steal a chest of gems from a vulnerable airship, Frey can’t pass it up. It’s an easy take—and the payoff will finally make him a rich man.
But when the attack goes horribly wrong, Frey suddenly finds himself the most wanted man in Vardia, trailed by bounty hunters, the elite Century Knights, and the dread queen of the skies, Trinica Dracken. Frey realizes that they’ve been set up to take a fall but doesn’t know the endgame. And the ultimate answer for captain and crew may lie in the legendary hidden pirate town of Retribution Falls. That’s if they can get there without getting blown out of the sky.

For a long time now I've wanted to read a solid old-fashioned adventure in the traditions of R. L. Stevenson and Jules Vernes, but there didn't seem to be any. I was as if the genre was extinct. So when I read Nataliya's review of Retribution Falls I didn't just put it on the list, I requested it at the library. That was a good call, let me tell you.
From the very first pages it was clear that in addition to the adventure I was after this book was going to give me several other genres. There is fantasy, sci-fi, steampunk, pirates and survive-by-the-seat-of-your-pants action. You would think, how the heck does all that fit into one novel and feel like anything other than a Transformers movie? The answer is simple - little bits at a time. The elements of all these genres are more like fine seasonings in a dish than the main ingredient, and the meat of the story is in the characters and the plot (yes, I have been cooking more than usual lately).
I'm used to seeing novels as either plot- or character-driven and in this case was pleasantly surprised to see a book that has both a plot jam-packed with action and engaging characters who go from a rag-tag bunch of misfists to them all becoming parts of a whole working for one goal, and all, or almost all, growing in the process. Even the main antagonist proved to be more than met the eye at first. I've actually grown quite fond of them all and even though the novel didn't end on a cliff-hanger promising a sequel (very refreshing nowadays when practically every book seems to be part of a series of interconnected installments) I very quickly made a mental note to look up the rest of the Tales of the Ketty Jay. The writing worked too - there was quite a bit of clever humor (Crake with his out-of-place refinement provided the best quips on more than one occasion) and the voices of different characters fit the respective personalities very well. Wooding is without a doubt a talented writer and it comes through in the book.
This novel is definitely a fun ride but as much as I enjoyed the adventures Wooding's exploration of deeper themes such as belonging, living with the consequences of one's actions, and being better than the bottom-feeders by more than a little bit was what kept my interest when the manly descriptions of aircraft and battles got a little bit too much. That and him masterfully keeping up the suspense by revealing secrets in small tidbits with Jez's story, which is by far the most intriguing, being told last. All this gave the story a certain seriousness and depth, which was very welcome in a book where the main characters aren't exactly philosophers pondering the universe.
I think this book can have a very wide appeal, from guys to girls and from readers who want the adventure, the fights and the rough talk every once in a while to those who prefer a bit of quiet introspection on occasion. I myself definitely intend to explore Chris Wooding's work further. If his other books are like this one we may have a winner here.

Review: Trade Winds to Meluhha by Vasant Davé

In ancient Mesopotamia Samasin the stable boy is falsely convincted of murder. When a double eclipse saves his life he flees his homeland in search of a man whose name the dying victim whispered to him. With murderers eager to protect their crime network on his heels Samasin faces an adventure of his life.

I grew up on adventure stories that spanned continents, with Jules Vernes' In Search of the Castaways and the Mysterious Island being my favorite, and Trade Winds to Meluhha certainly reminded me of the hours I spent imagining distant lands with danger at every step. Mr. Davé did a great job crafting an elaborate story that was not at all straight-forward and although towards the middle all the culprits were perfectly clear the many obstacles in the way of bringing them to justice kept things interesting. There were several sub-plots and adventurous asides that in the end played a role in the main story and I commend Mr. Davé for crafting a novel with this many levels and still managing to keep the pace up without a sluggish moment to create a satisfying resolution that felt natural and logical.
With this many plot lines to keep track of the abundance of characters was taxing at times. Two I had trouble distinguishing altogether, some I wasn't sure were all that necessary, but the main characters were intersting and developed nicely, so I mostly paid attention to them. I liked how they ofthen had secrets that kept me guessing for a while and I enjoyed seeing their transformations as the novel progressed. I think Velli was probably the most changed character by the end of the book and it was fun to see her gradual evolution from a hauty daughter of a wealthy man to a kind and caring lady.
My main issue with this book was the language. It wasn't awkward or inappropriate at any time, but it felt foreign, like a translation that is done without allowing for stylistic differences between two languages. It wasn't a deal-breaker by any means but it did affect my perception. Another factor was that the novel is set in ancient time, two thousand years BC, but a lot of the speech patterns, terminology and idioms used in the book are modern. Combine that with a drug trade and human trafficking and often the novel felt like present day crime drama somehow transported into the time of camels and reed ships. Also, I felt that the whole human trafficking situation was a bit contrived. Had the author stuck with slavery the key developments could have been easily preserved without compromising anything but the story would have felt more time-apropriate and natural.
In the end this is a solid adventure novel with great characters and it made me want to read more in the genre.